Photography Business Names – Where On Earth Do You Start?

Painstaking over photography business names can be one of those things that act as a kind of road block in your set up plans. You want to get some marketing literature organized, a website in place, and basically come across professional. You need a name for all of those reasons and many more.

There are a few issues that are worth going over here, and some are in fact vital to get right at an early stage, or risk time, money and headaches further down the line.

I’ve listed some of the options, ideas and sources inspiration you might want to use to tie down a name. First though, a quick note on branding.

Think About Your Branding

I wanted to mention this early on. It is essential you take some time to think about where you want to be in the market, at roughly what price point too, and what makes you special, different and worth working with.

Not only that, but what type of photography do you want to do, what’s your style, and do you want the option to develop your business in different ways in the future?

If you’re not sure about some of this, there are photography business names out there that can accommodate a level of uncertainty, but the more you have tied down, the less likely you’ll make a mistake.

And of course the business name is just one element of the overall branding mission which will cover everything from business cards to your website, to the color of your camera bag to the cut of your suit. But whatever you decide on, be TOTALLY consistent throughout. A fun and bubbly style of photography means a business name, studio, advertising and album presentation to match. Otherwise, you will confuse potential clients.

On to the some choices for photography names.

Option Number 1 – Use Your Own Name

Variations include:

  • Smith
  • Jon Smith
  • Jon Smith Photography
  • Jon S Photography (or some other combination of names and initials)
  • Jon Photography
  • Smith Photography

Advantages:

  • It’s personal. People on the whole like to deal with and buy from other people rather than organizations.
  • It’s easy to get known locally. You are the brand.
  • It’s flexible. You can start of as an event photographer and then move in to family portraits. The business name still works. This really is a very important point. I for one wasn’t sure where photography would take me, and started off doing a bit of everything before specializing.
  • To me, it suggests confidence, especially when you use your name on it’s own. Many top photographers do just that, but it does help A LOT if you’ve got a memorable and slightly different name. Example – Joe Buissink. In fact, it exudes confidence. Lots of the big boys and girls add ‘photography’ at the end, so this is a well trodden but very acceptable way to do things. Example – Yervant Photography.
  • You have something that is very clean and simple.
  • With the ‘photography’ added, people cannot fail to understand what it is you do.
  • Similar to the first point, photography is very much about your relationship with your client. Using your name helps to strengthen this bond.

Disadvantages:

  • If your name happens to be a bit run of the mill, your business name might lack a little sparkle. But going down the initial route mentioned above can help.
  • Depends a bit on your market and style, but you might want something a bit more trendy, catchy and fun.
  • You might work as part of a team of two, as part of a large group of photographers, you may send out or plan to send out other photographers on your behalf. You are more likely to mismanage clients’ expectations if you brand with your name in these cases.
  • If you want to sell your business, or franchise it to other photographers, a more generic name will on the whole be more attractive to buyers.

Option Number 2 – Use A Descriptor

  • Reference the type of photography in the name – Jon’s Portraits, The Headshot Company, Event Pictures.
  • Include something about your Unique Selling Point (USP) – 2 Girls With Cameras, Fairy Studios (portraits of girls dressed as fairies).
  • Incorporate a location, whether by city, region, country or global – San Francisco Graduation Portraits, Wedding Imagery International.
  • Seek inspiration in colors, wildlife, flowers, gemstones, you name it – Happy Teddy Baby Portraits, Bluebell Family Portraits sound like a couple of passable photography studio names for that market.
  • Go for something emotive, whether fun, funky, romantic, professional, commercially orientated or whatever – Crazy In Love Photos, Premium Event Photography
  • Highlight benefits associated with your service, what exactly your clients are going to get out of it – Fun Times Portrait Studios, The Perfect Still Life Photo Company.
  • Target Market – going high end, going with just your name and ‘photography’ works well as we’ve said. So does something else strong but simple and in a way understated like The Miami Photo Co. or Photography by Giorgio.
  • Style – laugh a minute family location photography or worldwide freelance photojournalism will require a very different approach – Cheeky Pictures vs Global News Images or Pictures Without Borders.
  • Include your name – with all of these ideas, you can build your name in too of course, although don’t let the name get too long and unwieldy.

Advantages:

  • You get to convey relevant information, positive feelings and benefits to your clients.
  • Done right, you’ll have a memorable business name, and a catchy one too if that’s what you’re after.
  • You will find it easier to rank in Google and other search engines for the terms and related terms that are included in your business name and so probably your website domain name. So, all other things being equal, London Event Photography is going to rank higher for someone searching for that term than Jon Smith Photography. That said, there are ways you can change the website title in the browser window without changing your website logo to help with ranking.

Disadvantages:

  • Using descriptors don’t necessarily allow your business to grow. You might want to change the type of photography you do, the location, your marketplace or your style. Try calling yourself ‘Fun Family Piccies’, then move in to the commercial business market, photographing for annual reports. Hmmm.
  • The terms you choose might have other connotations or mixed emotions associated with it so be careful. Using a fun term might seem like a good idea but could it sound like you’re not professional enough.
  • There might be a tendency to overcomplicate things or be too clever with your name and put clients off, or at least a section of your market off. A strong inventive name may well appeal to some, but won’t to others.

Use A Photography Business Name Generator?

There is automated software floating about on the internet that combines words and phrases to generate business names and product names, but I haven’t managed to find one specific to photography.

I wouldn’t worry though – everything I have seen is pretty sub standard to be honest – producing a nasty cocktail of ill-matching words at best. I’d definitely take a bit of time to work on something myself.

Thought Of A Strapline?

Just a quick comment about this. If you do go with a simple name, you can always look to include a benefit type statement or other descriptor in your strapline i.e. a short phrase showing below or some other place close to your business name in your literature and on your website.

Again though, my view is you can overcomplicate things a bit or come across a slightly tacky. For my client focused website, I don’t use one, but I think it helps provide a bit of extra info about what the Photography Gems website is all about, so I included it there.

Where To Get Inspiration?

  • Check an online Thesaurus – search for synonyms associated with photography, for classically related terms like capture, memories, images, timeless (but not always these actual terms – see below). Also love, happiness, colors or whatever else you like the sound of and that relates to your business. I just searched for timeless and found ‘unending’ and ‘limitless’. The first of those makes it sound like you take an age to get the job done, the second a little bit better, but again you could be talking about your prices!
  • Purposely misspelling a word can work just fine too, especially if someone has already got the other term for their business. ‘Pix’ rather than ‘pics’ is a popular one but that one has been really be done a lot.
  • Check directories for lists of business names in other creative industries as well as in photography.
  • Google it - just put in terms you like and see what similar or related stuff comes up in the listings.
  • Employ someone to do it – OK, this is a possibility, but for a good (but definitely not guaranteed to be good) service, you can spend silly money. If you’re starting off, there are better ways to spend the money.

What Else?

  • Get feedback – you might get as many different opinions as the number of people you ask, but there might be some nuggets hidden away, and at least you’re reducing the chances of making a real blunder with your photography name ideas.
  • Don’t be too clever – if in doubt, I’d keep it simple.
  • I’d really try to avoid clichés, tired out phrases you’ve heard a million times before, and that goes for the strapline too: ‘A Moment Captured In Time’; ‘Treasured Memories Photography’; ‘Timeless Imagery’; and similar terms come up a lot.

Has Someone Beaten You To It?

  • Check whether the business name is a registered company or not and whether it’s trademarked.
  • Even if you choose a name that isn’t the same but only similar to a trademarked name, you might get in trouble so I personally wouldn’t take the risk.
  • Also see whether the domain name is taken. Each website has something at the end called the top-level domain or TLD. This is the bit after the dot. The TLDs .com and the country specific one e.g .co.uk are the most recognized, most professional looking, and some say easiest to rank (not cut in stone that comment), so I would want to be able to get my hands on those.

Still stuck?

If you really cannot move forward and are really struggling for photography business name ideas, my advice would be to go with ‘Your Name Photography’. It is super flexible and of course personal. It’s what I did.

The only proviso would be to double check that this name hasn’t already been taken, at least locally, and that you’re not planning on selling or franchising the business at some point.

FINAL NOTE: I’ve made up the business names used in this article as I’ve gone along. Some may be in use, so please check first if you want to consider them in full or in part.

Engagement Photo Poses – Must Have Pictures Your Clients Will Love

This is the third and final article in a mini series of write ups about the engagement shoot. I’m going to showcase 6 very different engagement photo poses here, explain how I shot each of them and why, cover the set up and go over technical considerations too.

I hope you find the info useful…

I mentioned 2 other articles. Click here for my engagement photo tips article on,

  • Preparation
  • Managing clients expectations
  • Pricing advice
  • Presentation
  • Making the most of your time with the couple

OR

click here for my engagement photo ideas post, covering,

  • How to get the classic shots in the bag
  • Adding variety to your shoot
  • Getting creative
  • Making sure your clients enjoy themselves
  • Plus plenty more…

Number 1 – Lie Down And Have A Little Fun

So, first on the list of engagement photography poses, a really nice fun one, very informal, and something you’re definitely not going to get on the day, unless the bride really doesn’t care what happens to her dress.

engagement photo poses

focal length - 200mm; speed - 1/400s; aperature - f/5; ISO - 400

Posing advice

I always do this one myself first, meaning I get on the floor and look pretty. It really helps free up the couple’s inhibitions if you’re prepared to do the same, and of course they can see exactly what you’re after. I ask the girl to lift and cross her feet which adds some depth to the shoot, and makes it a bit more of a fun shot. The girl looks great with one or both hands up to the side of her face, the guy with an arm across her back.

‘Squeeze up tight, even tighter, don’t let her get away, look at each other/stare in to her beautiful blue eyes/tell him how lucky he is to be marrying you.’ And you’ve got the shot.

Sequence ideas

You can ask them to look at each other as here, or the same but one person looks at you, or both at you. All work. A quiet thoughtful moment or a laugh both work. You can also move on to shoot with both of them on their sides and hugging or kissing.

Lighting and technical considerations

As with 95% of the engagement shots I take, I’m using my Canon EF 70-200mm L2.8 lens. Creates beautiful shallow depth of field, along with the fairly large aperture, throwing the background out of focus. Perfect for the splashes of color from the flowers, and to home right in on the couple’s expressions.

I also play safe and set the ISO to 400. Often I could get away with a lower setting without any risk of camera shake, but the picture quality is still great at 400. Plus I shoot fairly quickly, chatting away as I go, so the less things I have to think about at the same time, the better. Typical man, really.

This shot was taken on a cloudy day with nice diffuse light, that models the couples faces really well.

Any alternatives?

On a sunny day, I’d try to find a nice bit of shade, say under a tree on near a building. It’s really important to face the couple in the right direction in this shade though. For a tree, this will generally be facing out towards the edge of the shade, away from the centre of the tree. If you do the opposite, the light will be very unflattering. Can be harder to work out in some situations, and even if you’ve got cloud cover, the sun might be strong enough to give some directional lighting.

For anther option why not ask the couple to lie down just inside a doorway, providing the sun isn’t shining directly at it, for exactly the same effect. Lovely soft lighting again. Works well if the hallway or porch is tiled or has some other nicely textured surface.

And this is a good option in a rain shower. You should still be able to stand in the rain unless it’s really hard. If it’s chucking it down, get inside as well, use a wide angle lens so you can be up close, and then move on to some more shots inside with door and window light.

Extra tip

To work out which part of a shady area is lighter or darker, partly fold the white rear side of a business card so it forms a V shape. Hold this up with the fold vertically facing you, and one side will appear whiter than the other unless the light is completely uniform. Pose the couple facing towards the light.

Number 2 – Walking Towards Camera

A very simple shot to set up, it looks great and it’s easy for the couple – a bit of an ice breaker for early on in the shoot too.

poses for engagement photos

focal length - 200mm; speed - 1/800s; aperature - f/3.5; ISO - 400

Posing advice

I ask the couple to walk along, hands behind each other’s back, or holding hands or with the girl holding on to his arm and pulling him in to her. Sometimes get him to put his hands or his outside hand in his pocket.

I also ask them to look at each other or the out to the side, or past me BUT not at me. I think this shot looks a lot better as them having a walk in the countryside or wherever, but with no reference to the camera at all.

Sequence ideas

When they get a little closer to the camera, I shoot them half length in landscape for a different perspective. I sometimes also switch quickly to my other camera with a wider lens – 17-40mm – and get some of them walking past me with the camera titled a little. I don’t even size up the shot in the viewfinder, often holding the camera up above head height instead. Shot to nothing but you never know.

And why not ask them to stop half was through for a little kiss, or suggest she kisses him on the cheek as they’re walking.

Lighting and technical considerations

Diffuse light on a cloudy day always works but here we’ve got direct sunlight. I’ve asked them to walk away from the sun, so you’ve got nice rim lighting to their hair. I’m actually in the shade of one of those big bushes, so I don’t have to worry about lens flare, but a hood should work just as well unless you’re shooting right in to the sun.

One problem you might encounter here is that the subject will be underexposed, as the camera compensates for the sun. Spot metering can work, as can using a light meter and manual mode, but to be honest, I tend to keep the camera in aperture priority mode, do a quick test shot and see what it looks like the back of my camera. If it’s underexposed, I set the exposure compensation to + 1/3 or +2/3 and TRY!!! to remember to set it back to 0 after the sequence.

Any alternatives?

I mentioned difference things to do with the hands and different place to look. You can get the girl to go up on tiptoes a bit and whisper in his ear too.

If it’s raining and in any event, a colonnade or some other covered archway works. An avenue of trees is just the business too.

And as a final shot to show them, walking off in to the distance is a lovely way to finish the story.

Extra tip

If there is an absolutely perfect location for a walk, say across a bridge but the light is direct and from the side, you’ve got some nasty shadows that may come in to play.

In this case, I’ll position the girl to the side away from the sun, so when she looks over at the guy, her face is modelled by the light. Imperfections aren’t so noticeable at a distance either. This is a bit hit and miss but can actually look really dramatic.

Number 3 – Just The Girl

It’s really important to get some awesome shots of each of the couple on their own, especially the girl. She’ll never be engaged again, it’s a wonderful time of her life, so creating some images that reflect this and show her looking just stunning are a must. Not to mention, she’ll really listen to your advice and suggestions on the wedding day if you can impress her now.

engagement photography poses

focal length - 200mm; speed - 1/500s; aperature - f/3.5; ISO - 400

Posing advice

I really like this pose. Ask your bride to be to face slightly in towards a wall, and put up her hand in front of her. Great if you can work it with the light so she shows off the hand with her engagement ring. Her other hand can be up too or down but hidden from view behind her. Ideally I like her to put her weight on her outside hip – the one away from the wall – to create more of a curve in her body shape.

This isn’t vital though if you’re cropping quite tight, and there’s always a balance with spending too long posing extra little detail and getting the right expression or catching a moment before things get too forced.

Sequence ideas

I’ll often try to get the guy to stand a bit behind my shoulder. You can then get a shot of the girl looking at you, then ask her to look at him. Often, there’s something you can play off to make a little joke, or they’ll just laugh spontaneously because of the situation, and you’ve got a great fun shot to follow up with.

Plus, when they see the photo, they’ll know she was looking at him at the time, so it’s less artificial, it’s about a real moment they shared together.

Lighting and technical considerations

I search for soft diffused light in the shade for this one, and go with a large aperture for that shallow depth of field. The lines of the wood plants in the wall lead you straight to the subject. The wall was actually black, a bit harsh I thought, so I converted the shot to a sepia to soften things down more to my liking.

Any alternatives?

Instead of a wall, railings or a gate work great too.

Extra tip

For a really stunning sexy shot the guy’s going to love, ask the girl to rest her head against the wall and tilt her chin down a little so she’s looking up at you (or get up higher yourself). Ask quietly and softly; it will help get her in the mood too. If it’s not quite coming off, you can try asking her to look down, then up at you again. Helps to keep the look natural. Shoot straight away.

Number 4 – Just The Guy

We cannot leave him out, so it’s important to get some ones of him looking at his best, and certainly a few of him looking well, cool basically.

engagement photos poses

focal length - 78mm; speed - 1/1250s; aperature - f/4; ISO - 400

Posing advice

All the weight is on his outside hip, away from the wall, arms folded and looking slightly over me and past me. OK, bit sterotypical, but that kind of look is a dominant one men use, so works for a guy shot. No need to smile, which most men hate doing as well. I don’t ask the guys to smile much, or to look at camera much either. A spontaneous laugh great, but not a cheesy smile.

Again, lead by example and do the pose yourself if it isn’t coming naturally to them.

And throw in some sunglasses to increase the coolness.

Sequence ideas

As with the photo of the girl on her own, you can ask the guy to look over at her, or get her to come in slightly behind him and kiss his cheek or whisper in to his ear.

With a striking background like this, I’d do a head shot or two as well, with the fencing filling the background completely.

Lighting and technical considerations

He’s in direct sunlight but not facing in to it. You can get away with shadows more with the man, but here sunglasses avoid any problems around the key area of the eyes anyway.

A bit of simple post production for a background like this can make all the difference. Increasing the contrast and saturation, especially of the iron fence, will make the colors that much bolder and alive. In reality, the oranges were much duller.

Any alternatives?

The guy sitting on a bench or step and leaning forward, or leaning against a wall and crossing his arms or with his hands in his pockets. All classic engagement photo pose ideas to make him look the part.

Extra tip

You might want to use Photoshop to remove the blade of grass that stops on his shirt front. It’s not across his face, so I can definitely live with it, but it is a little bit distracting so you could argue it should be removed using the clone stamp. I’ve left it here though to show you… :)

Number 5 – Classic Shot Of Couple

Don’t forget do get some shots that are just plain old classics, lovely portraits of the two of them looking at camera. Very popular always.

engagement picture poses

focal length - 200mm; speed - 1/400s; aperature - f/4; ISO - 250

Posing advice

Start by asking them to get in tight together, on a step here. Often they will pose themselves to a large extent but where they’ve missed a key element, make a gentle suggestion and do it yourself where appropriate too.

Their heads are tilted in slightly towards one another which I love. If you want her to tilt her head, tilt yours the way you want her to go and she’ll copy you easily. Watch out for the hands too. So important that they aren’t hanging limply. Looks fake straight away.

Sequence ideas

She can look over at him or vice versa, engineer a laugh, suggest a kiss. She can put her hand to his cheek as she kisses him, or he can pull her in. He can whisper in her ear, hidden behind her a little. At the same time, you can get a shot of her laughing whilst this time shooting over his shoulder. Loads of options…

Lighting and technical considerations

Lovely spot of shade here, very soft. It was really bright sunny day, but this side of the building on the steps was in shadow. They are looking out at an angle towards the light though. If you look closely, you can see a little more shade on the left of their faces as you look at them. That side was towards the building a little more. It adds a tiny bit more texture and tone to their features.

Any alternatives?

Sitting on a bench or up against a tree has similar posing requirements. If the couple are on a bench, it’s easy to ask the girl to go stand behind him and cross her arms around his chest. Another classic shot.

Extra tip

Where you’ve got grand steps, you’ve often got railings, or a grand doorway or arch. All great spots for more photos, and as they’re in the same location roughly with similar lighting conditions, they will likely link together well. Great for creating a photo montage, set of 3,4 or 6 framed images or an album.

Number 6 – Peaceful And Looking Away

We’ve discussed fun light hearted shots, so it’s nice to contrast these with something a lot more peaceful, something that gives you time to just look at the photograph and live a little bit of the life they are going to share together.

engagement photo pose ideas

focal length - 150mm; speed - 1/3200s; aperature - f/5.6; ISO - 1250

Posing advice

Guy with his arms round the girl, leaning in to her hair, girl leaning back gently. Leaning back means here eyelids are low. Calm thoughtful expressions, enjoying a moment together. Still water in the background reflects this feeling. I’ve cropped in quite tight to simplify things even more.

Sequence ideas

The couple can both look out, they can turn in towards each other, arms low, or she could put her arms round his neck or to this cheek. Another nice option is for him to put his hand to her cheek when they kiss, and she in turn puts her hand on his. It looks lovely.

Lighting and technical considerations

The couple are looking out in to the river, with the bank behind them. You can see the light softly modelling their faces as they look in that direction.

I actually had the ISO here set higher than it needed to be. We’d just been inside in a very dark spot and I hadn’t changed the ISO back. However, the picture quality on a modern Canon or Nikon camera for that matter is excellent these days, even at high ISOs, so the image is just fine.

I do like to keep things simple when I shoot though, and this is partly why. It’s so easy to forget to change a setting when you’re whizzing along between shots and locations, and it’s the reason why I’ve shied away from light meters just as much as I’ve turned away from over posing the subjects. I want to get shots that work technically but that are alive.

Any alternatives?

Of course, when you’re near a bridge, you can do some great walking shots across it too, pause for a kiss, shoot just the girl leaning back on the railings or wall of the bridge. All of those would have you on the bridge too, but you might instead shoot from below, up past and through bushes and trees for a private little moment.

Extra tip

This location is almost identical to the last shot in the sister article I wrote on engagement photos ideas and techniques. A very different pose though. I would really urge you to repose and repose in one location. You get lots of images very quickly and its more fun and dynamic too so everybody enjoys themselves at the same time.

Of course, change the location or outfit slightly as well and you’ve got even more variety.

Anyway, I hope these suggestions for some engagement picture poses you can try out will help you create a well rounded collection of images and a great experience at the same time.